Court – State Vs A Nobody brings forth an emotionally charged story rooted in the complexities of Indian law, specifically the POCSO Act. Helmed by debutant director Ram Jagadeesh and presented by actor Nani, the film sets out to blend teenage romance with hard-hitting legal and social commentary. The premise is bold — Chandu, a 19-year-old from a humble background, falls for 17-year-old Jaabili, whose family’s higher social status fuels a tragic conflict. When Chandu faces serious allegations, including a POCSO case, the narrative explores whether the law, designed to protect minors, unintentionally traps an innocent boy caught in a consensual relationship.
Jagadeesh’s attempt to weave a sensitive social issue into a courtroom setting is commendable, though the legal drama itself falls short of being gripping or intellectually stimulating. The film’s strength lies more in its emotional appeal and the moral questions it raises rather than its courtroom sequences. It effectively spotlights the rigid nature of laws like POCSO and the unintended consequences they might bring, especially in cases that blur the line between genuine affection and criminal liability.
The performances hold the film together. Priyadarshi shines as the determined, empathetic lawyer Surya Teja, while Harsh Roshan and Sridevi bring an innocent charm to the young lovers. Sivaji, as the antagonistic Mangapathi, delivers a standout performance, embodying ego and class-driven pride convincingly. While the music by Vijai Bulganin is underwhelming and the background score occasionally feels overbearing, the cinematography captures the emotional weight of the characters' journeys. Editing, however, appears rushed in crucial moments, affecting the pacing.
Court – State Vs A Nobody is ultimately more of a social reflection than a high-stakes courtroom thriller. It invites viewers to ponder whether the law, in its rigidity, can sometimes overlook the nuances of human relationships. For those seeking heartfelt performances and a thought-provoking message, the film offers a sincere, if not entirely compelling, experience.
